Or, as Eddie Murphy dubbed him (when Howard guest hosted SNL during Murphy’s stint with the Not Ready For Prime Time Players):
LITTLE OPIE CUNNINGHAM!!!
]]>There is plenty of documentation to start a conspiracy, but if you really believe, why would you care?
Oh, yes, we have more than enough examples of religious extremists in the world to make that part of his story real and contemporary. A Muslim lawyer just opened fire in a Turkish court this week because the court insists on separation of religion and state, which is why that quote is there on the sidebar.
]]>But Brown gets one thing right: if there were surviving independent documentation of the real history of Jesus, the more fanatical among Christians (including but certainly not limited to the more aggressive sects within the Catholic church) would go to any lengths to suppress it. I haven’t personally met anyone who murdered on behalf of their religious beliefs, but I have met people who insist on full control of the world’s knowledge of figures and events described in the various versions of the Christian bible, people with zero tolerance for any deviation from their version of the myth. Brown’s fanatics may not be modeled on specific real people, but they are plausible to me.
At this point, I hereby invoke the Terry Pratchett quote in your site’s masthead.
]]>This was the second book about this, as we learned from the copyright infringement case in Britain, but no one noticed the first book making the same claims.
]]>BTW, I concur wholeheartedly. Truth in advertising compels me to label my snack “butter with popcorn.”
]]>I just finished the book; it is not as bad as I had feared, and no worse than a dozen other similar adventure novels… episodic, not very multithreaded and mostly devoid of character development, but plot-driven to provide some satisfaction. The only thing different in this book is the frequency of digressions into obscure historical or historical-fictional oddities, and I cannot imaging how they’re going to do that in a movie without boring an audience. Unlike a novel, a film has about 100-120 minutes to make its point; long explanations do not help meet that deadline, and movies that extend it do so at risk of their box-office numbers.
]]>If they had given the film to Ridley Scott and given the lead to Alan Rickman it might have been worth the ticket.
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